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UPCOMING: TIERRALISMO GOOD EARTH FILM TOUR
APRIL 13 - MAY 8, 2015
 
The Tierralismo Good Earth Film Tour will include screenings of the recently released documentary, Tierralismo: Stories from a Cooperative Farm. Part of the AMI Cuba catalogue, Tierralismo is about the history and practices of one of Cuba’s most successful urban farms, the Organoponico Vivero Alamar (Alamar Organic Cooperative). Tierralismo, introduces viewers to everyone from agronomists and senior management to workers who plant, plow, and propagate. What began as a necessity - farming without pesticides and chemical fertilizers - has become a source of pride to coop members. The film shows how they fertilize with compost and cow manure, raise their own insects for biological pest control, and have even created a fully biodegradable alternative to the plastic bag for use with seedlings.
 
Tierralismo also covers non-farming aspects of the operation, such as human resources and accounting practices. In a land where financial resources are scarce and governmentally controlled, transparency and trust are paramount. Many of the coop's members have come from other fields - including a former pathologist, a fisherman, and an oil-industry worker. More than half are seniors - including an 82-year-old who says when it comes to hoeing, he can outwork anyone in their twenties. This is a film not only about the food and the farm but the characters who make it happen.
 
The filmmaker, Alejandro Ramirez, and one of the co-founders of the Organoponico, Isis Salcines, will accompany the tour, creating a dynamic forum to share knowledge and create learning opportunities on film and food security, and the people who are driving both movements in Cuba. Alexandra Halkin, Director of AMI will accompany the Cuban visitors on the tour. Not only will the tour provide an opportunity for a diverse U.S. audience to hear firsthand about experiences in urban agriculture from Cubans, but the Cuban visitors will be able to learn from academics, government representatives, and community activists engaged in building sustainable food systems in various locations throughout the United States.
 
By meeting with food activists in the Midwest and the Northeast, and farmers, activists and policy makers in Vermont, the Tierralismo Good Earth Film Tour aims to provide a critical link and foster meaningful learning among leaders of urban agriculture in Cuba with those in the U. S. In the context of Cuba’s move toward a more market-based economic model, the experiences that Ms. Salcines will see firsthand in the U.S.—innovative marketing strategies, cooperative producer and consumer structures, and trans-disciplinary research and education approaches—will provide new tools that can be adapted in a changing Cuba. U.S. citizens, food activists, farmers, professors and policymakers will learn from the Cuban experience, seeing and hearing firsthand the innovative techniques Cuban farmers have devised to produce healthy food under difficult circumstances and with scarce resources. The Tierralismo Good Earth Film Tour will be about sharing experiences and identifying potential collaborations among the multiple actors needed to ensure access to healthy food for all people.
 
**We are still looking for organization and university sponsors. We have a grant that will help cover our expenses for community based presentations. For questions and further information please contact us: info(at)americasmediainitiative.org**
 
Tierralismo Good Earth Film Tour Bio’s:
 
Isis Salcines graduated in 1995 from the Polytecnic Institute “Osvaldo Herrera” with a degree in Telephone Systems and Data. Upon graduation she began working as a long distance operator at the ETECSA (Government telephone company). In 1998, Ms. Salcines was laid off from her job at the ETECSA and began working at the Organoponico Vivero Alamar (Alamar Organic Cooperative). Starting in 2003 she helped design and launch a new food preservation project. In 2007 she enrolled in a six-month course in agricultural studies and in 2008 she began to focus on the marketing and distribution of local organic produce to domestic and international markets. In 2012, she became the Projects Coordinator in the Projects and Investments Office at the Organoponico, and she continues her work in that role to this day. In 2013, Ms. Salcines received an advanced studies degree in Agricultural Engineering. During her time at the cooperative, Ms. Salcines has participated in national and international forums such as TERRA MADRE in Italy (2008 and 2010), the first Urban Agriculture Summit (held in Canada in 2012), and in a series of workshops in Panama about environmental conflicts (2013).
 
Alejandro Ramírez is a Guatemalan photographer and film director who grew up and currently lives in Alamar, Cuba. He graduated from Facultad de Arte de los Medios de Comunicación Audiovisual de Instituto Superior de Arte, (The School for Audiovisual Communication at the Superior Arts Institute, ISA) in Havana, Cuba. As a photographer he has had 14 solo exhibitions and 10 group exhibitions, and he collaborates with several magazines and media outlets. He has participated in the production of various films and videos as a sound engineer, cameraman, assistant director and director of photography. As a director he has made many documentaries that have won national and international awards. He is a Film Professor at the ISA.
 
 

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Struggling to Film in America's Chokehold. Cuban Moviemakers Feeling Burden of U.S. Embargo

By Victoria Burnett. April 4, 2014

 

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Stories that Resonate: New Cultures of Documentary Filmmaking in Cuba

By Sujatha Fernandes and Alexandra Halkin

 

 

 

Winner of the Best Animation at the Muestra Joven, Havana, 2014:

 

Struggling to Film in America’s Chokehold: Cuban Moviemakers Feeling Burden of U.S. Embargo By VICTORIA BURNETT  APRIL 4, 2014

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MEXICO CITY — In Hollywood terms, it was small change. But for Miguel Coyula, a Cuban filmmaker accustomed to working on a tiny budget, the $5,200 he raised on the crowdfunding site Indiegogo.com last year would have bought some lighting equipment, a Steadicam and a tripod, all crucial for his science-fiction feature, “Blue Heart.” However, Indiegogo suspended the campaign in August and froze the money after determining that transferring funds to Cuba or a Cuban resident would violate the United States’ economic embargo. READ MORE

Cuban Filmmaker, Miguel Coyula

 

ImageClosing Distances/Cerrando Distancias 3 Brings POV Executive Producer Simon Kilmurry to Cuba

The Americas Media Initiative organizes groundbreaking U.S. documentary film tour; PBS’s award-winning documentary series POV to tour Cuba for the first time, April 5 - 14, 2014

For the third year in a row, a U.S. documentary program will tour Cuba. Closing Distances/Cerrando Distancias 3, which takes place April 5-14, 2014, will bring Simon Kilmurry, Executive Producer of PBS’s award-winning POV (Point of View) television series, to Cuba. He will do a presentation about several of the Latino films that have aired on POV and screen the new POV film GETTING BACK TO ABNORMAL. Alexandra Halkin, Director of the Americas Media Initiative (AMI). The Cuban organizational counterpart providing the logistical support is the Young Directors Film Festival (Muestra Joven), based in Havana. The tour will begin with a presentation by Mr. Kilmurry at the Young Directors Festival and then Ms. Halkin and Mr. Kilmurry will travel to the Isle of Youth and Pinar del Rio, where they will screen GETTING BACK TO ABNORMAL and engage in Q&A sessions with Cuban audiences. For more information

 

 

 

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AMI Organizes US University Tour for Cuban Filmmaker Marilyn Solaya

Ms. Solaya has had a unique trajectory in Cuban cinema. Starting out as a film actress in films such as Tomás Gutiérrez Alea y Juan Carlos Tabío’s renowned, Strawberry and Chocolate (Fresa y Chocolate). She then returned to film school to study Directing. Ms. Solaya will be presenting her award winning documentary feature, In the Wrong Body (En el cuerpo equivocado) at US universities, film festivals, and community centers throughout October, 2013.

In the Wrong Body tells the story of Mavi Susel, who underwent the first gender reassignment operation in Cuba in 1988. The film explores such timely issues as the meaning of femininity in the macho and patriarchal society in Cuba where many stereotypes and prejudices still exist. Mariela Castro, Director of the Cuban National Center for Sex Education (CENESEX) was a primary consultant on the film. The film was produced as part of the Latin American DocTV initiative.

Ms. Solaya’s documentary work is based on thorough investigation of the subject matter and the people with whom she is collaborating. Ms. Solaya has been doing public presentations with her films both inside and outside of Cuba and can speak to various issues regarding the role of gender in Cuban society both from a historical and feminist perspective, what it means to be a feminist filmmaker in contemporary Cuba, and her vision of the future for women filmmakers in Cuba.

Tour Schedule

Oct. 3 - 4 University of Oregon, Eugene

Oct. 4  Reception 6 - 8pm at the Grand Cafe, Portland, OR

Oct. 5  Screening 6 - 8pm at Sisters of the Road Cafe, Portland, OR

Oct. 7 University of Washington, Seattle

Oct. 8 Washington State University, Pullman

Oct. 9 University of Idaho, Moscow

October 11 Unitarian Church, Spokane, WA (Sponsored by the LGBT Community Center/Pride Foundation)

Oct. 16 - 17 Allegheny College, PA

October 18 University of Vermont, Burlington

October 19 ArtsRiot, Burlington, VT

October 23 Middlebury College, VT

October 24-25 Dartmouth College, NH

 

 

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Icarus Films Acquires N. American Rights To 11 Cuban Indies In Americas Media Initiative Deal
BY TAMBAY A. OBENSON
August 5, 2013

Per the press release from Icarus Films, the same distribution that acquired and will release The Great Flood, from director Bill Morrison, as well as 6 Jean Rouch classics for North American distribution, including his landmark 1957 work Moi, Un Noir (Me, A Black), and also The Last Angel of History as well as Seven Songs for Malcolm X both by John Akomfrah - all releases we've covered on S&A. 
The company announced today its acquisition of all North American distribution rights to 11 films from the Cuba Media Project of the Americas Media Initiative
The films are all independent productions, and, with the exception of two compilation programs, all documentaries. Together they offer the rare opportunity to see Cuba documented by media artists whose work has been little seen outside the country.
Among other titles, the collection includes Ernesto Pérez Zambrano’s Major Leagues? (¿Grandes Ligas?), an exploration of the Cuban National women’s baseball team, Gustavo Pérez’s They Would All Be Queens (Todas iban ser reinas), about Soviet women who emigrated to Cuba for marriage prior to the dissolution of the Soviet Union, and Katrin Hansing’s Freddy Ilanga: Che’s Swahili Translator (Freddy Ilanga: El Traductor del Che), a profile of an African man whose life was transformed by a chance encounter with one of the great icons of the 20th century.
The deal was signed by Jonathan Miller, President of Icarus Films, and Alexandra Halkin, Director of the Americas Media Initiative, which produces, screens, and distributes independent and community-produced media from the Americas.
Beginning in September, Icarus Films will handle all North American distribution responsibilities for the collection. There will be two new releases added to the collection this year.   

For more information on the Americas Media Initiative, visit http://www.americasmediainitiative.org

For more information on Icarus Films, visit http://www.icarusfilms.com

 

Film Screening: July 17th. Screening of Cuban Film "Major Leagues?at 8th Floor Gallery, NYC, Introduced by AMI Director, Alexandra Halkin

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Be introduced to the members of the Cuban National Women’s Baseball Team as they discuss their passion for their sport and the trials and tribulations of participating in Cuba’s national past-time in a society filled with machismo, prejudice and daily hardships. The older generation of women who participated in the League in the 1940′s talk about the sexism they dealt with and how generation after generation, women still face the same attitudes from men about their participation in the sport.

(27 min. 2008, Spanish with English subtitles)
 

Closing Distances 2 Tour Cuban TV Coverage. Recorded in Guantanamo.

May 24, 2013

Below is a Cuban Television news segment on our Closing Distances 2 Tour in Eastern Cuba featuring documentary filmmaker Minda Martin, and AMI Director Alexandra Halkin:

http://www.cubatv.cu/video/3a28b0b2c49111e2838f001422ff22f0/realizadora-estadounidense-minda-martin-preve-rodar-documental-en-cuba/#.Uaa1yFrC8iQ.facebook

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AMI organizes Closing Distances 2, US Filmmaker Minda Martin to tour Eastern Cuba

The Americas Media Initiative organizes ground breaking U.S. documentary film tour in Eastern Cuba, May  17 – 24, 2013

Burlington, VT – For the second time in less then one year, a U.S. documentary shorts program will tour Cuba. Closing Distances/Cerrando Distancias 2 will feature the films of U.S. filmmaker, Minda Martin. The tour is organized by Alexandra Halkin, Director of the Americas Media Initiative, a Burlington, VT based non-profit that works with Cuban filmmakers.  The Cuban organizational counterpart providing the logistical support is the Young Directors Film Festival (Muestra Joven) based in Havana. Ms. Halkin and Ms. Martin will screen Martin’s films and engage in Q&A sessions with Cuban audiences in the towns of Bayamo, San Pablo de Yao based in the Sierra Maestra Mountains, Guantanamo, and Baracoa.

Minda Martin is an award winning experimental documentary and narrative filmmaker. Her films, including The Long Distance Operator (2012), Free Land (2009), Monsoon St., ¹77 (2006), and a.k.a. Kathe (2000) have screened at international and competitive venues including the Locarno International Film Festival, Toronto International Film Festival, Vienna International Film Festival, Buenos Aires International Film Festival, among others.  

Closing Distances/Cerrando Distancias 2 will present two of Ms. Martin’s films, FREE LAND (2009) and Mother’s Heritage (1995). As a child, filmmaker Minda Martin's life was one of poverty, constant relocation and even homelessness. FREE LAND incorporates found footage, historical documents and personal interviews as she traces her family's history through the forced Cherokee relocation in the 1800s. What emerges is a challenging, heartbreaking and visually arresting documentary that draws unsettling parallels between land, history, Cherokee culture and American identity. Martin creates a unique cinematic landscape that conveys the trauma of displacement and the reality of poverty. Mother’s Heritage tells the story of Ms. Martin’s mother’s untimely death: she was accidentally shot by one of her brothers.  In her absence, her story is told through recollections of family members who discuss the many challenges she faced during her life.

 

 

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Documentary Fortnight is an international festival of nonfiction film and media, presented annually by New York’s Museum of Modern Art (MoMA). It examines the relationship between contemporary art and nonfiction practices, and reflects on new areas of documentary filmmaking. The 12th edition of this important documentary showcase, which took place February 28 through March 4, for the first time featured four programs of recent short films by Cuban filmmakers. Documentary Fortnight is organized by Sally Berger, Assistant Curator in MoMA’s Film Department. She selected the “New Cuban Shorts” in collaboration with Alexandra Halkin, director of the Americas Media Initiative (AMI).
(click
here to read the full story)                                                  
photo credit: Monteros (2006) by Alejandro Ramírez Anderson. 

Photo by Raúl Cañibano. Courtesy of Alejandro Ramírez Anderson.

 

En entrevista: Documentales cubanos en el MoMA

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En el marco del Festival Internacional de Cine No Ficción y de Medios del Museo de Arte Moderno, Documentary Fortnight, se estará presentando una muestra de documentales y trabajos de dos emergentes cineastas cubanos: Ariagna Fajardo y Armando Capó. Jerónimo Rodríguez conversó con ellos.

Para más información sobre estos documentales y muchos más que se presentan en Documentary Fortnight, visiten: www.moma.org

 

 

     

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DOCUMENTARY FORTNIGHT 2013:
MoMA's International Festival of Nonfiction Film and Media

NEW CUBAN SHORTS -
Co-organized with the Americas Media Initiative

Friday, February 15, and Saturday, February 16

 

 

 

 

 

 

 

 

 

 

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NEW AMI CUBA DOCUMENTARY RELEASE: Major Leagues? (¿Grandes Ligas?)

Director Ernesto Pérez Zambrano's 2008 documentary Major Leagues? (¿Grandes Ligas?)  looks at members of the Cuban National women’s baseball team who discuss their passion for their sport and the trials and tribulations of participating in Cuba’s “national past-time” in a society that is filled with machismo, prejudice and daily hardships. The older generation of women who participated in the early days of the League, in the 1940’s, talk about the sexism they dealt with and through the generations women still face the same attitudes from men about their participation in the sport.

For purchase information, click here. 

“Major Leagues?”, the dissertation project of Pérez Zambrano, a student at Cuba’s Higher Institute of Arts (ISA), explores the theme of transgression of gender norms using the testimonies of the players and coaches of the Havana women’s baseball team.

The young filmmaker practically lived with the athletes for a year until he became the bat boy and informal cheerleader of the team, which was created in response to a call issued in 2003 by the non governmental Cuban Women’s Federation (FMC) to form women’s baseball teams.

However, one of the young players interviewed in the documentary complained about the lack of support and, particularly, the lack of opportunities to play other teams, as well as the scarce coverage they have received by the media. She said sometimes the players even have to “escape” from work or school to attend the training sessions".

      ...Patricia Grogg. Inter Press Service News Agency. October 7, 2008

 

"A New Era’s Filmmakers Find Their Way in Cuba" By 
Published: January 4, 2013

Recent New York Times article about Cuban Filmmaking that mentions AMI and a number of our filmmakers. 

 
 
AMI Cuban Filmmaker, Marilyn Solaya Tour, October 2013
AMI is proud to announce our Fall 2013 Cuban filmmaker tour with Marilyn Solaya. Ms. Solya has had a unique trajectory in Cuban cinema, starting out as film actress in films such as Tomás Gutiérrez Alea y Juan Carlos Tabío’s, renowned, Strawberry and Chocolate (Fresa y Chocolate) and then returning to film school to study Directing. Ms. Solaya will be presenting her award winning documentary feature, In the Wrong Body (En el cuerpo equivocado) at US universities, film festivals, and community centers throughout October, 2013.
 

In the Wrong Body tells the story of Mavi Susel, who underwent the first gender reassignment operation in Cuba in 1988. In the Wrong Body explores such timely issues as the meaning of femininity in the macho and patriarchal society in Cuba where many stereotypes and prejudices still exist. Mariela Castro, Director of the Cuban National Center for Sex Education (CENESEX) was a primary consultant on the film. The film was produced as part of the Latin American DocTV initiative. For more information go to our Cuban Filmmaker Current US Tour page.

ImageCuban Documentary Filmmaker, Karel Ducasse to present at Vermont International Film Festival, University of Vermont and Hamilton College

October 15 - 28th 2012

Karel Ducasse, Cuban documentary filmmaker and animator will be presenting his films at the Vermont International Film Festival and the University of Vermont between October 22 and October 28th. This is the first time Mr. Ducasse will visit the U.S. Organized by Burlington-based Americas Media Initiative—Cuba Media Project (AMI-CMP), whose mission is to present Cuban filmmakers in the U.S., and U.S. films and filmmakers in Cuba and through this cultural exchange, increase understanding and foster dialogue between U.S. and Cuban citizens.

Mr. Ducasse will be presenting his documentary, Zone of Silence, about artistic censorship, some of his newer short documentaries and animations, and other Cuban independent productions at the Vermont International Film Festival, October 25th  at 4pm at Main Street Landing (Lake St. on the Waterfront) and October 28th  at 1pm at the North End Studios (294 N. Winooski Ave).

Mr. Ducasse currently works in the Animation Department for Cuban National Television where he has directed public service announcements, educational programming, live presentations and children’s programming. Mr. Ducasse is currently working on an animation series of mythological legends for children, Panchitos Stories. He wrote and directed the documentaries, Zone of Silence and Different, Up to a Certain Point, which is part of a feature documentary celebrating the 50-year anniversary of ICAIC (Cuban Institute of Cinematographic Arts and Industry). Mr. Ducasse has received 11 awards and honorable mentions in various national and international film festivals.

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MORE INFORMATION

AMI Collaborates with the Flaherty Seminar, June 2012

Last Spring AMI assisted the Flaherty Documentary Seminar in bring three Cuban Filmmakers from Cuba to attend the Seminar. The Cuban filmmakers were: Gloria Rolando, Gustavo Pérez and Gilliam de la Torre. This was the first time that the Seminar had filmmakers living in Cuba attend the Seminar. AMI assisted Flaherty in procuring the funding, US visas and travel for the filmmakers. AMI Director, Alexandra Halkin also received a LEF Fellowship to attend the Seminar. The Ford and Reynolds Foundations supported the expenses for the Cuban filmmakers to attend the Seminar.

Links to interviews on Cuba Art News with Gloria Rolando, Gustavo Pérez and Gilliam de la Torre:

Gloria Rolando participating at the Flaherty Seminar, June 2012.

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