CUBA RESOURCES
BOOKS
Michael Chanan, Cuban Cinema
Joshua Malitsky, Post-Revolution Non-Fiction Film: Building the Soviet and Cuban Nations
Julianne Burton, Ed., The Social Documentary in Latin America
Laura-Zoe Humphreys, Fidel between the Lines: Paranoia and Ambivalence in Late Socialist Cuban Cinema
Nicholas Balaisis, Cuban Film Media, Late Socialism, and the Public Sphere: Imperfect Aesthetics
Megan Feeney, Hollywood in Havana: US Cinema and Revolutionary Nationalism in Cuba Before 1959
Cristina Venegas, Digital Dilemmas: The State, the Individual, and Digital Media in Cuba
Hector Amaya, Screening Cuba: Film Criticism As Political Performance During the Cold War
Enrique García, Cuban Cinema After the Cold War: A Critical Analysis of Selected Films
Sujatha Fernandes, Cuba Represent!: Cuban Arts, State Power, and the Making of New Revolutionary Cultures
Andrea Morris, Afro-Cuban Identity in Post-Revolutionary Novel and Film : Inclusion, Loss, and Cultural Resistance
ARTICLES
Sujatha Fernandes and Alexandra Halkin, “Do Cubans Really Want U.S.-Style Internet Freedom?” in NACLA
Alexandra Halkin, Alysa Nahmias, and Diana Vargas, “What Revised U.S.-Cuba Relations Could Mean for Film” in Filmmaker Magazine
Sujatha Fernandes and Alexandra Halkin, “Stories that Resonate: New Cultures of Documentary Filmmaking in Cuba” in LASAFORUM
Michelle Leigh Farrell, “Redefining Cuban Film and Imagined Community: A Close-up on ‘Nuevo realizador’ Aram Vidal” in Delaware Review of Latin American Studies
Yeidy Rivero, "Havana as a 1940s-1950s Latin American Media Capital"
Masha Salazkina, "Moscow-Rome-Havana: A Film-Theory Road Map"
Ana López, "Greater Cuba" in The Ethnic Eye: Latino Media Arts
Gilberto Blasini, "The World according to Plaff: Reassessing Cuban Cinema in the Late 1980s" in Visible Nations: Latin American Cinema and Video
Pedro Doreste, "Revolutionary Exceptions: Reception of the Godfather Films in Cuba"
Catherine Benamou, "Cuban Cinema” in Redirecting the Gaze: Gender, Theory, and Cinema in the Third World
Antonio Enrique González Rojas, "Cuban Independent Documentary and Nonofficial Journalism: The Two Faces of Janus"
John Mraz, "Absolved by History: On the Aesthetics and Ideology of History in the Cuban Film Institute"
Salomé Aguilera Skvirsky, “The Postcolonial City Symphony Film and the ‘Ruins’ of Suite Habana”
María Caridad Cumaná González, "Deterritorialised Intimacies: The Documentary Legacy of Sara Gómez in Three Contemporary Cuban Women Filmmakers" in Hispanic and Lusophone Women Filmmakers: Theory, Practice and Difference